making moves
the new place...
I was talking to Zak a little while ago
about twitter and he quipped, “This
is pretty much the end of personal websites, huh?”
and I pretty much agreed with him. I mean, I still
find having a personal website very useful,
especially for my acting work, but as far as
sharing what’s going and voicing opinions and all
that, twitter’s proven to be a really great tool.
That being said, I still should be doing a better job
of keeping this page updated! As usual, life has been
on overdrive, the most obvious result of this
hyperactivity being that Whitney and I have finally
moved to a new place. Honestly, I think a lot of
people were getting tired of hearing us talk about
hoping to move--we have been complaining about the
hunt for probably eight or so months! But we loved
our old place and had no reason to make any real
major compromises when it came to what we wanted out
of a new home...and then this place comes along, not
a block and a half away, and, well, we basically had
to take it. We’re still renting, which, honestly, is
fine for me right now, owning sounds like a pain in
the ass and I doubt we can afford anything resembling
the place we are renting now.
The living room...slowly getting into shape
So, things are good. Work
is super challenging right now, as I immerse myself
into a totally new paradigm for our products (it’s a
pain but it’s a good thing), and my Norton
Table character made an appearance at our
global sales and marketing conference in Las Vegas.
It was a lot of fun, I got up on stage and basically
introduced the senior staff in the consumer business,
making jokes about each of them as I went down the
list. What was crazy is how little I could actually
prepare for the piece! I had a few notes about each
person, but really, as I was standing backstage, I
really didn’t have that much to go on, I was really
relying on thoughts coming to me once I got in front
of people. It was crazy--like, it goes against
everything I’ve learned regarding rehearsal and
preparation, but I have been doing these interview
shows so often that I realize that once I hop into
character, thoughts, reactions and jokes actually
come to mind much more quickly than if I try to
anticipate and plan everything out. I am a bit
nervous--I certainly can’t depend on things coming to
mind, but it was nice that everything clicked that
one time.
The acting front has been irritatingly slow. I had a
great pilot audition a few months ago, but nothing
came from it, which doesn’t really matter because I
don’t think the show is going to be picked up anyway.
I have jumped back into acting class with Brian Reise, which has been
great, and have been attending quite a few
workshops with casting directors at ITA. Basically, I am trying to
shake things up a bit, because whatever I have
been doing for the past year or so just has not
been working.
I’ve gleaned a few things from some of the workshops
that I wanted to get down on “paper”. If you are an
actor, you might find these tips useful. If not, you
may find them interesting and useful in terms of
keeping things in focus when interacting with folks.
- When auditioning, focus on the person you are interacting with. Like, really, it sounds so obvious, but it can be really hard to focus when you are in a room with a lot of people watching you, not to mention dealing with the camera, the monitor, etc. If you are being filmed, what is important is not entertaining the folks in the room, but making sure that you nail the performance as seen by the camera. The best way to do this, it seems, is to focus, intensely, on the person you are reading with, really listening, really engaging with them--this focus will be picked up by the camera and be seen by the producers. This was a big change for me--I usually entertain the room, you know? By grounding myself with the other person, it helps keep the scene moving from an honest place.
- If your character is asking a question, realize that this question is often the key to the character and, probably, the scene. Figure out why the character is asking it, understand the implications of the answer to that question--whether or not you get an actual answer. When the character is asking a question, the character is admitting a need--the character wants that answer, he has an intention to get that information. Like it or not, that old saw about needing an intention for your scene still holds up and, if committed to, will give the scene a strong foundation. I was trained to ask, “What do I want?” at the beginning of every scene (some teachers suggest asking that for every line) and I think I stopped doing that at some point. The scene is there for a reason--TV and film are so expensive that it would be cut unless it was absolutely necessary--that reason is the key to expressing that character as best as you can.
- When you are auditioning for a part, for those 3-4 minutes, that part is yours. No one else has it--you have booked it for that period of time Don’t think of the audition as a try out--it’s the job, it’s the actual opportunity to do the piece. I had some teachers insist we drop the word “audition” and replace it with the word “job.” This can be a useful tactic, not only because it helps you focus on the piece more, but it takes out the “this is just my best try at the part” factor. The audition, the interview, is you--it’s you doing the part, it’s you on the set, it’s you during lunch, it’s you working with the director, it’s you being hired.
I will add more items to this list as I go, but those are the first ideas that come to mind. I go on so many commercial auditions that I think I have started to be much less stressed about them, which is technically a good thing, but I think that it might have lessened the stakes a bit. I don’t know--I really don’t...commercials are just so quick, so specific; you don’t even get the script until you show up and then your audition is not so much a scene but a quick situation. It’s tough.
From the Hotel Laguna, in Laguna Beach
Much coming in the next
few weeks. I will be up in San Francisco for the
Apple Developer Conference,
I’ve got a wedding coming up, Ravi’s planning a
big birthday, and, of course SDCC is coming up in July. My
weekly article at iFanboy is back on Wednesdays,
and I am working on at least two murmur articles as well. I’ve
also submitted three treatments to a
producer...we’ll just have to keep pressing on.
PS - My friend Matt Ferrucci has just started his new
webseries, Real Men Real Issues, and
he’s doing a great job adding new content to the
show on a regular basis, unlike this website.
Check it out and see what you think.
March Grabness
Solar car on Old Middlefield Road
Every month on iFanboy.com, I do a “Grab Bag” article, which is
basically a mishmash of news such about movies, TV
and comics. I do it as kind of homage to Herb Caen
and people seem to like it, so I am going to post
the content of the article on this site as well,
since I am pretty sure many of you who read this
don’t read my weekly column (I don’t blame you--it
can be pretty...specific). It’s funny to go add my
iFanboy writing to this site--the tone is very
different, given the audience and the
material--but it’s a nice way to round out what I
tend to talk about here. Anyway, hope you like it.
Before I start in on that, I wanted to point you to
the web spots page, where I have
posted an edited version of the iFanboy WonderCon show. They
let me get on camera and do some improv and I
wanted to share it with you. I took out the other
parts of the show, but if you have time, do check
out the full version, there are some
great interviews, including a few with the
Watchmen cast, Zach Snyder and
illustrator Dave Gibbons. Forgive the size of the
video ---I will re-encode it and clean up the
transitions as soon as I can. Anyway, it’s new
stuff and new stuff is good.
And now... the March Grab Bag!
* * * *
Hard to believe, but it's already that time of the
month. (You know, I've written that sentence before,
and it still never seems to come out right, but I am
just gonna do it because I am tired of typing it.)
This article is due in about 11 hours, but I have
been on a slight vacation. I say slight because
although I was indeed on vacation, by a pool, reading
comics, in Las Vegas, it was actually very windy and
hailing. So, I've had my margarita (ill-timed, but
one of the drawers that holds all of the pots and
pans---a shelf, really, in cabinet like thing, under
the burners--broke, so I had to fix it) and my
burrito (which was fine and did not need repair) and
even watched an episode of The Simpsons, in
HD no less (when did I stop watching
Simpsons and why did I stop? When did that
happen? I like that show!) and now, I am writing with
Withnail & I playing
in the background (Withnail & I is a
great British movie that you must watch if you
have ever dealt with actors or been drunk, or
dealt with drunk actors, which, well, if you have
ever dealt with actors in the first place
is, in a word, often). I am bit peeved because,
well, I am having aspect ratio issues--everything
is right, everything is apparently correct, but it
just looks off somehow. No matter, it's the grab
bag, and I have stuff to tell you about.
* * * *
"Oh, great, Mike's here? Who invited
him?"
So, at top of mind, my mind at least, which you are
getting a little bit more of than you actually want
right now,is the recent series finale of
Battlestar Galactica. Now, I was fortunate
enough to be invited to the screening of the episode
with the cast and crew on Friday, and I must say, it
was a really, really incredible night. You might as
well read The Hollywood Reporter's account of it
here, but suffice to say, it
was a really inspiring evening. I have been
following the show (writing letters to SciFi.com
to support it going to series, etc) since the
beginning, and I feel very lucky to have been
there for the finale. Yes, I saw and talked to
many of the actors and directors, but that wasn't
really why it was awesome. It was awesome because
everyone came together to say goodbye to what had
been their lives for almost seven years, to say
farewell to a show that really did redefine just
how good television could actually be. Producers
Ron Moore, David Eick and director Michael Rhymer
(who was mentioned specifically as being a key
reason why the show was was so successful from a
creative point of view) all delivered a show that
was pretty much uncompromising in its mission to
tell a great story with believable, engaging and
challenging characters, and I for one will miss
the show greatly. Now, I just have to figure out
how to get on Caprica, which starts
filming in earnest this summer.
* * * *
Imagine a greater name.
Speaking of the SciFi channel, as much as I hate to
say farewell to BSG, I must say I hate the new name
of the network even more. Behold, SyFy. Yes...I think, actually,
that is phonetically "siffy". So...incredibly
lame. According to Tim Brooks, "The name Sci Fi
has been associated with geeks and dysfunctional,
antisocial boys in their basements with video
games and stuff like that, as opposed to the
general public and the female audience in
particular." Let's see...let's just see...what
kinds of things do these "geeks" like? Can you say
Lord of the Rings? Star Wars?
Dark Knight? Spider-Man? I mean,
videogames? It's bad that you
associate the channel with all these things?
Incredible to me. I think Brooks is also being
kind of sexist--like, so, are we to assume that
women don't like the science fiction? Really? I
just...it irritates me and I didn't even
care about this stuff until I found out
they were changing the name. I mean, I liked the
idea that a channel could be devoted to science
fiction...but I guess I'm just some dork who lives
in my mom's basement, right? Ah, well. I should be
careful, I guess--like I said, I really want to be
on Caprica and I probably shouldn't talk
too much trash about the network if I want a job
there. But still--siffy?
* * * *
Spock, Kirk and Bones have just heard about a new
series and are not amused.
Speaking of siffy, er, silly--do we really need a new
Star Trek TV show? No, we don't, but don't
tell that to to Bryan Fuller, creator of the
quite-beautiful-with-some-great-acting-and-quirky-point-of-view-that-many-us-recorded-but-never-got-around-to-you
know, watching-Pushing Daisies. I guess he
wants to make an "old style" Trek. How this would
coexist with J.J. Abrams' upcoming theatrical release, which is
much more modern, with its Apple Store-like bridge
and irritatingly good looking cast, would still
have to be resolved, but, hey--I am all for any
show that casts actual actors. Speaking of
Trek, the writer of the linked article
digs a bit at Deep Space Nine, which is
unfair--that show was actually quite good, and the
last two seasons were all part of an ongoing plot,
which paved the way for episodic shows like
Heroes, Lost and, yes,
Battlestar Galactica, produced by DS9
alum Ron Moore. So don't hate--Netflixagate!
* * * *
Spider-Man 4: Payback's a Bitch, Spidey!
Still with the video and the sound, news of
Spider-Man 4 continues to trickle in, with director
Sam Raimi talking about the apparently Dunst-free aspect of the film
so far. Money quote: "I can't imagine making a
'Spider-Man' movie without Kirsten." He then
insisted, "Of course it can be done..." I, for
one, don't care at all about a new Spider-Man
movie. I am not sure why--oh, that's right, number
three sucked and I don't believe that they can
actually make another good one. Yeah, I guess I am
being cynical, but, I mean...do we really need
another one? The movies make a ton of money, and
if they can make Pirates of the Caribbean
4, then they might as well add a fourth
Spidey flick. But I am not at all convinced you
need Kirsten Dunst. In fact, forget about
her--bring in Black Cat and a brief cameo with the
Fantastic Four and we'll be set.
* * * *
I need me a pair of those shades.
Finally, I guess ABC is remaking V? You know, the one with
the lizards in human skin with the mouse eating
and jaw popping? That's all I remember about the
original, to be honest. That and the jumpsuits. On
the other hand, I guess Fox is making a series based on DC's
Human Target, which I
think actually makes a lot of sense as a TV
series. I liked the books--let's hope they do that
one right.
* * * *
In the "I hinted at it
and it became true" department, I can happily tell
you for certain that dance music duo Daft Punk is
indeed doing the music for Tron 2 (though they are
not calling it Tron 2: Electric
Boogaloo). One more Tron!
* * * *
Remember when I thought I
was being all thoughtful and creative by writing
about what books we should recommend
after our "other" friends asked what they should
read after Watchmen? Well, I've been
seeing lots of DC ads in comic books discussing
exactly that--you can see their recommendations at
afterwatchmen.com. Good job on
that, though I must say they should be running
these ads in Entertainment Weekly and other
actual magazines. I mean, DC is already admitting
that people don't know which comic books to read
after reading Watchmen, so it's pretty certain
that this audience is not reading this month's
Justice League, you know? But good try anyway.
Marvel should have done this with their
movies--it's a great way to get new folks into
comics. Or at least trades. On a related note, GQ
magazine has a whole feature about what comics to
read after Watchmen. Top of the list?
Madman, which should make
Ron happy. The article, written Alex Pappademas
and Kevin Sintumuang, is actually pretty good, and
actually mentions a few books that we talked about
in my article, including All-Star Superman and
Criminal and others I
totally spaced on, like Alias, The Nightly News and
Fell. Nice one, guys!
* * * *
Finally, in the "Last Minute Conor Save" or "Mike
apparently has a crush on Marcos Martin" Department,
I bring you another amazing cover by Mr. Martin, this
time for the upcoming 70th Anniversary of Captain America:
Mammoth Acting
Okay, it's Tuesday and I have a cold sore the size of
a grape on my lip, a (group) lunch with a senior vice
president of my company and a ton of work to do, but
I need to finish this up...
Went snowboarding this past weekend and had a blast.
I have been trying to go all winter but so far, each
time I have gone locally, it was a total bust
(literally, if you bring my busted thumb into the
mix), so I had high hopes for this trip to Mammoth. I
mean, after my last visit, I basically was ready to
give up, because I just wasn't getting it and the
whole idea of spending a bunch of money to go up and
down a hill, over and over, again, falling
throughout, just wasn't making any sense. Thankfully,
everything was much more fun and interesting, and I
remembered why I was drawn to it in the first place:
it was new, it was physical, and it really pushed me
outside of my comfort zone. Like, when you
have to go down the side of a mountain that
literally gives you vertigo looking at it as you go
up the lift, you are forced to dig deep and just go
for it the best way you know how, right?
I was twittering a bit while I was up there, but
basically I figured out how to turn consistently and
I didn't break anything. It was a lot of fun, and I
was relieved that I was actually learning how to
build on what I was learning, run after run. I also
came face to face with the limitations of my physical
body. Like, I am in shape, but after four hours, I
was beginning to make mistakes. Mentally, I was ready
but my body was lagging a bit by the time 3pm rolled
around. I was carving too hard on my left hand turns,
I was hesitating when I should have been committing
and just getting sloppy. Of course, when it's that
time of day, everyone's kind of flubbing here and
there so I didn't feel too badly, but it was still
interesting to experience. It's not like I my typing
gets worse toward the end of the day, you know?
So, I will post a few pictures of the scenery, but
all in all, I'm relieved.
Okay, that was snowboarding. Now we move to acting.
I had dinner and spent the evening with two Broadway
actors on Sunday night (along with some other
friends). I was talking to a woman who was 75 and had
made a living as a stage actor the entire time--she
never had to wait tables. She had just come off of
playing the Nurse in Medea in Canada, and we
had a great conversation about breath and its
relationship to intent; she opens up with a wish to
the gods and she had initially thought she needed to
get the line out in one breath, but then realized it
worked when she broke it up with intakes of air. I
suggested that this made sense, because often when
you are in that "wish making" mode, you pile on wish
after wish, and the breath supports that moment,
gives encouragement to those wishes--you see kids do
this all the time. We had a great chat about this and
she remarked that I should be teaching or directing,
which, I must say, coming from her, was one of the
nicest compliments I've received in years.
Again, it's those moments of validation that I guess
I need just to make sure I am not deluding myself,
you know? If I can have an evening talking about
acting with two fantastic, well known and celebrated
actors, where it's a real give and take, then I have
contributions that I can make. Now, now...well, I am
not sure. I am doing what I can. Tricia remarked that
when she got into acting when she was in Australia,
it wasn't something that everyone wanted to do,
compared to today. Like, it wasn't a career that
normal people wanted to pursue, so it was easier for
her. So, she got in early..and stayed. But you know
what? Even with her experience? She still has to
audition. Never stops.
This is a tough time for actors, moreso, I think than
any time before. We all know that there are fewer
shows being made and fewer movies being released this
year, but what you may not know is that many, if not
most, of the "good" roles are being offered to movie
stars first. If you watch TV at all, you've seen this
happening. I've talked about this before, so I will
leave it there, but it's a strange time now, to be
sure. I'm sticking with it, of course, but I gotta
say, it would be nice to get some auditions. All in
good time. In the meantime, I can relish evenings
like Sunday, where I can listen to stories and
experiences and enjoy moments of inspiration that
made me want to be an actor in the first place.
Inspiration is all around us, we can just get so
caught up in our daily lives that we forget to look
and listen.
I'm back
I’m back from Tokyo. I have some shots on flickr
here and will have a rundown
later, but I just wanted to update the site; I
noticed that a bunch of pages were missing...
anyway, more soon!
Time is flying (literally)
Lobby floor at the Encore in Las Vegas
I am sitting here in a
Caribou Coffee near Plain City, Ohio, watching with
no small amount of dread all of my work email
downloading to my machine. I am supposed to be on
vacation, but I can't connect to my work email from
my sister in law's place, so I thought I would check
it out...oy, what a mistake--I have over 130 emails
so far, and it's still sucking them in. Totally
frustrating.
When I was at Razorfish, I went on this rather
awesome leadership training program (I know how it
sounds, but hey, I got to to Sweden!) during which we
took a ton of courses, one of which was effective
communications. I'll spare you the details, but the
most effective was face to face...the least was
email. I get over 1400 emails a month from work.
Anyway, I'm having a pretty good trip so far if I
choose to ignore how long it took to get here (17
hours). We had two cancelled flights, so I ended up
going from LA to Phoenix to Las Vegas to Charlotte to
Columbus. We got to spend 6 hours in Vegas, so we
went to a few hotels (Whit wanted to check out the
Encore, which was pretty nice) and ate and walked
around.
and time passes.
Well, now I am in the air heading to Tokyo. It's been
frustrating, I have to say---I just have had zero
time to update this particular blog. I need to figure
out how to channel my myspace updates to this page--I
was uploading a lot of photos throughout my visit to
Ohio and it was, honestly, just easier to share what
was going on that way (damn you, Facebook! You and
your convenience.) And then, with the weekly
iFanboy article, ongoing Norton blogs, and more work
for murmur.com...I'm just writing everywhere but
here.
So far, the Tokyo trip is smooth, but sadly I am on
United. While they didn't charge me for checking a
bag, the food is awful--no surprise there, just
disappointment--and now they charge for drinks! Not
to sound like an alcoholic, but, I mean, wasn't that
one of the fun things about flying international? So
weak. Flying a US airline just sucks now and it will
probably never get better.
I was in Tokyo two years ago to talk to various Mac
press and, like I promised, I am back to talk about
our latest offering. Unlike last last time, however,
Whit's not coming, which makes it not as fun--- we
travel really well together and she has a knack for
finding fun activities and neighborhoods. We went
through the guidebooks last night so I have a good
idea of where I am going to be (this super, super hip
hotel in Shibuya, the Cerulean Tower, a few blocks
away from my office). I get in Tuesday afternoon, so,
I hope to get some sleep here so I can out at night
around the hood.
Pete, Whitney, Kim, Cindy...and Walter
Our visit to Ohio was a lot of fun, if shorter than
we wanted thanks to US Airways canceling our
flights--we were about 17 hours late. It was
crazy--every other carrier was flying into Columbus,
so we think they cancelled the flights so there would
be no chance of their planes being snowed in the day
after. So, instead of flying to Phoenix and then
continuing on the same plane to Columbus, we waited
four hours to fly to Vegas, where we found that they
cancelled our second flight, so we were in Vegas for
7 hours and then went to Charlotte, then to Columbus
that next morning. We made a night of it, though; I
put our bags in a locker and we took a trip to the
Encore hotel and proceeded to make our way to the
Mirage. It was actually a lot of fun, so it wasn't a
total waste of time. Still, though--I can't see
myself paying for another US Airways flight in this
lifetime.
Seeing Whit's family was a blast, though. I am very
much myself with them and everyone gets along quite
well. I met my nephew Walter (almost two years old),
which was fun. Where we were in Ohio (outside of
Columbus much of the time) could not be more
different than LA, which was refreshing, for the most
part (though I think we drove more there than I do in
LA, since everything is spaced so far apart). We had
our "second Xmas," complete with tree and turkey
dinner, and as I looked outside at the snow, I felt
very fortunate.
The rundown:
- My brother Chris leaves Wednesday morning to start
bootcamp for the US Navy. He will be gone for two
months, basically unreachable, as, as he puts it,
"has every shred of individuality stripped away" and
turned into a sailor. He was pretty nervous about it,
but he's more excited now. It should be crazy
interesting to hear his stories--we are not a
military family by any stretch so it's all new to us.
- Acting has been slow, thanks in part to my having
to be away from LA for two weeks. Basically, if I am
gone for two weeks I am out of commission for three
or even four (doesn't do me any good to audition for
a part that I am not going to be around to film). I
had a really solid audition for a great part on a
Nickelodeon show, but I have not heard back yet, so I
assume I did not get a callback.
- Work is good, but I am still overwhelmed with
emails, as I mentioned above. It's super
frustrating,and since I can't connect to anything
while I am in the air (a good thing, for the most
part), I am sure I will be flooded when I get back.
Still, going to Tokyo is a huge perk and I am not
complaining, just whining.
- Writing has been capsized by the traveling and
online writing commitments, but I added two
characters to a show that I am writing that really
round the whole thing out. I have this idea that I
honestly think could really be successful on
commercial television. I am excited about it because
the set up itself is a platform on which one can just
write story after story. I just need to get the pilot
written and sketch out the first part of the season.
Then...well, I am not sure; I guess I send it to my
agent and shop it around. But now that I have the
cast rounded out, I feel like all I gotta do is lock
myself away for a week and bang out the script. (And
yes, I realized that I am actively not doing that
now.)
Okay--let's get this posted. I’ll try to do daily
Tokyo updates.
Holiday re-entry
Here’s to you, West Coast
Well, we’re almost done
with 2008. I’ll resist the urge to do a long list
(I’ve gotta do one for next week’s column anyway),
but it’s worth taking some time to take a deep breath
and, in a way, be relieved to have even survived this
year of pretty awesome ups (at least one, with the
“did that actually happen?” Obama victory) and a
whole litany of low (and lower) lows. The other day I
actually had to turn NPR off--it was just one
miserable story after another. One hopes for
happiness and joy during the holidays and this year
it seemed that everyone had to fight for a grimace,
let alone a smile.
But it was not all that bad, of course. I just got
back from San Francisco--I’d share my photos, but
many of them were lost due to a technical problem
that’s almost too annoying to go into here--which, as
usual, was a mix of vacation and Pony Express style
darting between family, friends and, sometimes, rest.
It was great to see everyone, of course--special
appearance by Pepe needs to be called out here--but
as far as actual relaxing vacation? Nope.
Every time I go back to San Francisco I seem to
notice something, and this time was no different. I
couldn’t help but notice how precious so
many things seemed to be. I tend to be
pretty...jocular? this time of year, especially when
I go to San Francisco, but almost everyone I
interacted with, whether it be a restaurant’s hostess
or coffee plebe, was just...dour. So cool
that to be nice to someone that wasn’t glum was too
much effort. It was frustrating as hell, to be
honest, because it underscored the perception of San
Francisco being self-absorbed and
haughtier-than-thou, you know? Cheer up, folks! You
live in a great city! Enjoy it--and the people who
are returning home to visit. It just doesn’t makes
sense to me to take oneself so seriously,
especially in San Francisco. They need a
return of a rave scene or something, to knock them
about.
But my friends seemed to be doing well, same with my
family. Saw my cousin Patrick play jazz and saw a
theatrical version of Star Wars with Kenji, Sam and
Whitney. Oh, and I went to the new Academy of Sciences, which I
have been looking forward to checking out for
years and years. The building’s pretty great--if,
somehow, small-feeling, perhaps because of the two
massive spheres that inhabit the main space. They
bend over backwards to tell you how green the
building is, with insulation made of blue jeans
and the cement warmed by hot water...but I gotta
tell you, I never took off my jacket and scarf
inside! I was disappointed by the two exhibits on
either wing--it was mostly reading and watching
videos, which, well, you can do on a website, you
know? A museum has to be more than reading and
viewing. The aquarium below, was nice, but really
dark and claustrophobic--it was like being an
intestine. Of course, it was also super crowded,
but I still felt that I was just winding my way
through a deep cave with some fish in the walls.
They did retain the original seahorse railing (and
crocodile pit, complete with the white one), which
I have known since I was a few years old--that was
great. But, in the end, while there was a lot on
how screwed up the environment is and how humans
better change or we’re all going to be d-e-d dead,
I just didn’t feel like I was learning anything.
It was mostly focused on earth sciences--there
were no space exhibits as far as we could tell.
It’s gorgeous, though--I am really, really bummed
I lost my pictures of the roof and the exhibits.
Next time, I guess.
I get it, the museum is still finding its voice, but
for $25, I thought it was kind of a ripoff--and
believe me, I came into it really wanting to like it,
even after spending 2 hours outside in 40° weather...
Yesterday I took a day off work and basically ran
errands. It was nice, I started off at The Griddle
and ate breakfast while reading some comics. As
happens more and more, some guy started talking to me
about comics and I mentioned that I write for a comic
book website, and his reaction was like, “That’s the
coolest job ever!” and I had to admit that
it was actually kind of cool (though a weekly column
does not a full time job make). While I have been
pretty down on this year, it’s been mostly because I
just didn’t make the kind of progress I was hoping to
make with my acting career. But on a purely selfish
level, things were pretty good:
- Whit’s surgery went well
- I had a lot of fun meeting new friends at WonderCon and Comic-Con
- I am writing for iFanboy
- I did a ton of yoga and I am closing in on two years of practicing
- I’m working on some great scripts both by myself and with Nick
- I produced those shorts for work
- I have been asked to be in a few short films
- My friends are healthy, having kids, still working and seem to be happy
- My own work is going quite well and I am still learning a lot
So, farewell, 2008. Let’s all have a healthy, happy and peaceful 2009, shall we?
On validation
Last week, I ended up
visiting both of my agencies. My commercial agency
was actually bought by another one (I am now
represented by Talentworks Los Angeles for
commercials; ACME is, as of last Friday, done--check out the press release if you are
interested), so I got to go to the new office and
sign a bunch of paperwork. (On a sidenote - I am
with the same agency as William Shatner! How rad
is that?) Suffice to say--I am really excited
about 2009.
I’ve talked about it before, but the relationship one
has with their agents and manager is just
so...specific, you know? I have a small phalanx of
great people that are working, hard, to get me
auditions. Just getting an agent...I mean, that took
awhile, and then it took even longer to find an agent
that was able to get me work in the first place. I am
incredibly fortunate, really, to have Imperium-7 and
Talentworks working with me, it is incredibly
humbling.
Anyway, I had a really good meeting with Emily, Brian
and Mandy at Talentworks. They have been very
supportive and encouraging and have always made me
very welcome whenever I come by and say hello. And I
was grateful to them for being so great on
Friday, to be honest. It’s been a tough year, as you
know. I’ve done a lot of work, but most of it was non
paying. Great experiences*, sure, but, like, I’m not
helping anyone pay their bills, you know? So, when
you meet with your agents, there’s this feeling, this
overwhelming feeling, of “thank you for being so
patient--it will get better, it will!” The fact they
kept me on during the move brings me to the title of
this entry--it’s validation, it’s trust that this
team believes in me and that belief, that support is,
really, one of reasons why I keep at this. It’s the
main reason, of course, but it’s a big kick in the
ass to keep me positive.
All people, but artists and performers in particular,
despite their loud protestations, need
validation. However, to admit it somehow
means that you are weak, that you are doing your art
to please other people. And, to some extent, that
argument is correct. I act to entertain people
(friends and family especially), to make them feel
something. If I suck at it, people will not be
interested. If they are into it, then there is a
degree of validation to my endeavor. To an extent,
that validation keeps me going, it makes me work hard
to be “better” -- to make more honest choices, to
rely less on theatrical tricks, to work in projects
that people will want to watch. Validation does not
mean “you’ve done it, you’re good” -- it means, “hey,
you are on the right path, keep going.”
So whenever I get a nice email from my agent or
manager, even a short one, it puts a skip in my step.
I know how that sounds--it could very well sound
needy and lacking of self confidence. It’s not, trust
me. If I was lacking in self-confidence I would be
living somewhere else.
Validation has changed, for me, through the years.
When I first started out, like, in high school,
validation came in the form of laughter and applause.
Makes sense; those were first cues that I was getting
something right. Then, later, in college, it was more
about getting validation from other actors and
directors (something that has definitely not gone
away (nor will it ever)). When I was doing summer
theater way back when, I loved that I could do a show
for a bunch of people who didn’t know me--I could
just do the show and disappear into the night. There,
the validation came from making each show sharper and
fuller. In New York, it was all a mix. Now, the
validation comes from the feedback and training I am
getting in class and, of course, from the others I
have discussed above.
Of course, there is overt validation--how many people
come to see the show, what reviewers say, etc.
Ironically, in my day job, I have the same
challenge--the products we release are offered up,
for validation, I suppose, to the Mac community and
Mac press. I have several press interviews next week
to talk about what we are doing and whenever we get a
new product out, we are constantly wondering what the
product reviews are going to say--the higher the
rating, the higher the validation, resulting in
credibility in the Mac community and, business wise,
increased sales.
We all wrestle with validation and our relationship
with it. Every job requires someone to validate how
well we are doing. The struggle with growing older is
figuring out to compromise the feelings of “I don’t
need the validation of someone who doesn’t get it,
man” and “Wow, if I do a good job, there will more
opportunities”. To accept the value of external
validation without compromising your independence and
idealism, to enjoy that wrestling match...is that
where the wrinkles come from?
--------
* These are already posted on the web at Enormous
Productions, so I feel like it’s okay to talk about
them now Remember those spots I did for work? Well,
here they are. Hope you like
them.
Like you've never had it before...
No, that’s not a picture of me right now--it’s
terribly hot these days and
I am just trying to throw it out into the
universe--chill.
Whenever I have weeks like the ones I have been
having recently I try to think back to when I was
hectically unemployed in Brooklyn and how I used to
long for a regular job with a steady paycheck. I
would imagine being able to sit in a comfortable
office chair and just know that there was going be a
certain degree of stability.
So, when I express some frustration at the amount of
energy and time that work has been demanding of me
lately, just know that yes, I do realize that things
could be a lot worse. (Because they were, totally,
astoundingly bad.)
iFanboy.com is down right now as I write this, but
check out their pick of the week section--I recorded
a recent show (iTunes link - I am in the Action
#870 ‘cast) and even wrote about it my Wednesday
column. The column’s been hard, I gotta admit--I
am really trying to write about stuff that hasn’t
been mentioned on the site before, but there are
times when I feel the piece is too rushed or not
as well written as it could be. No matter, it’s a
fun gig, it’s keeping me active and it’s just
kinda cool to have that happening in my life.
Acting work has been non existent. I feel like I have
stepped back in time and am back to one audition a
month. This is not true, of course, but I would be
remiss if I didn’t admit that I was more frustrated
than ever. But it makes sense--commercial work is
going to be slow for awhile now as companies become
more realistic with their marketing budgets and TV
shows and films are still navigating their schedules
and trying to cast better known folks than lil ol’
me. I mean, Harvey Keitel and Christian Slater on
episodic TV? Harvey Keitel? When’s Pacino’s 30 minute
single camera sitcom coming? It’s fine, we’re all in
the same boat, though I do admit I felt a bit of
chagrin when I signed off my right to be paid for the
Jessica Biel LiveEarth spot to be aired throughout
India. I’m gonna be huge in Pune, just watch! But who
cares, really, right? It’s all coming as it comes.
Politically, I was amazed to see all the pundits
talking about how great John McCain did in the third
debate last night. I can’t help but feel that they
need to say that so they can resist being accused of
being biased. McCain, as I am sure you’ll remember,
seemed like an angry, petulant grump who was much
more interested in scoring points so he could sound
tough when he got back on the stump than offering the
voters an idea of what he would actually do as
president. No matter--I saw this video and realized that I was
well on my way to being a position where I really
liked my president, which, well, you know, has
been a long time in coming. Can you believe what
McCain said about abortion and women’s health, by the
way? The guy’s a jerk, I don’t see how anyone can
possibly not agree. Also, check out Rolling
Stone’s feature on the myth of
McCain-good reading (and watching, check the
related video). I sit next to an
admitted hard core right wing evangelical white
man at work and he’s been really agitated, lately.
Like, fuming. It’s kinda great. I sent in our
stuff so we can vote by mail--I figure this way we
won’t be standing in line so others won’t have to
wait as long...
Best. Ride. Ever.
Randomly, we had a product launch party at Disneyland
last week. I gotta say, it was actually really fun.
The best part was being able to leave and get
appetizers and drinks at Downtown Disney and then go
back in the park, really. You have to be able to
escape and then go back in. Still, it wasn’t that
crowded and I was able to check out all the rides I
used to like as a kid. I hadn’t been in 14 years, so
the place has definitely changed, but even the
cynical slacker in me still enjoyed seeing little
kids having so much fun.
On a bit of a more somber note, I have two memorials
to attend this weekend, which is sad, poignant and
just...reality inducing? Michele’s dad passed away a
few weeks ago, so we will be attending that service
on Sunday, but Saturday we are attending a memorial
for our friend Jeff’s infant child, who contracted a
disease and I guess never really had a chance. He was
a twin--not identical, I think--and the other baby is
apparently fine, but I can only imagine how painful
this must be for Jeff and his wife. That’s on
Saturday. So, it’s a time, really of reflection and
gratitude to be alive--not to sound hokey, but I
mean, it goes hand in hand with what I have been
learning in yoga: when it comes right down to it, all
we have is our breath...so breathe deep--it’s what
makes us alive.
Back/up
Posing with the iFanboy "Who Needs a" Booth Babes
Wow! Long time no talk. I
actually had a bit of a panic--I lost the website on
my local drive, so when I was at home longing to
update the site, I couldn't until I got back to work
and got my backup. Still have no idea what happened,
but it's all back, so that's good.
The past few weeks have been a blur. I went to
Comic-Con (check the iFanboy story here) and that was pretty great
(photos here). I ended up having a
pretty fantastic last day of the con, where I was
able to get lunch with James Sime (the man behind
Isotope), his gal Kirsten
Baldock (author of Smoke and Guns) and
Darwyn Cooke (one of the best
creators working today, in my opinion), which was
a lot of fun. It's weird, you know? Like, the
whole comic book thing. For awhile, it was just my
own thing, and was basically a curiosity for my
friends--like, I really didn't talk about them
that much, but I just kept reading them and all
was good. Over the past few years, I have
inadvertently gotten more and more involved in the
comic book community, which has been a lot of fun.
I mean, I remember driving to San Diego three
years ago with Whitney listening to the iFanboy podcast and Whitney
kept saying how I should be on the podcast since I
kept talking back to the guys and explaining what
they were talking about to her. Flash forward to
the present and I already have one show under my
belt in addition to the column! Funny how things
work out that way. Whit and I were also mentioned
in Whitney Matheson's PopCandy column, too, which was fun.
But back to the lunch with the gang. Yes, it was fun
having lunch with someone whose work I admire like
crazy (I think I have all of his recent books), but
it was also just really interesting to learn more
about and more about the industry and the personality
types and the challenges you meet when making a
living making funny books. It's a completely
different world, and it was fun to hear Darwyn's
battle stories.
Then, that night, completely out of the blue, Whit
and I joined Kirsten, James and Jon to have dinner
with Grant Morrison and his lovely
girl Kristan. Like, if you are a comic book fan,
you know how cool this is, to be able to write
about having dinner with Darwyn and then have
dinner with Grant. Like Darwyn, Grant is a major
creative force in the industry--he's rewriting the
DC Universe right now in Final Crisis--and we had a
great discussion that went from astronomy to
philosophy to mythology and back again. It was a
fantastic night and capped off a truly fantastic
show. I must say, I am happily surprised that Whit
and I have gotten more on the "inside" of the
comics scene---getting a chance to talk about
stories and art have inspired both of us to keep
on being creative. I mean, Whit took Grant and
Kristan around JPL the other day. How cool is
that?
I will probably write about this in my column next
week, but these conversations and others have really
shown me that comics are a great way to tell timely
stories (you can write, draw and publish a comic
faster that it takes to write a novel or produce a
film, with fewer people getting in your way) that go
beyond regular prose but stop short of a movie.
Comics are a great way to tell stories that can
incorporate the concepts that one might be more used
to reading about in regular books but with the
imagery, design and spectacle one might see in movies
or TV. I'll go off on this next week.
In other news, summer continues and things are
definitely picking back up with the acting life. I
have been on a lot of auditions and callbacks but the
big news was that I was called straight into
producers for a show last week. In the June 25
entry, I talked about an
audition I had that went really, really well but
was disappointed to hear nothing back about it at
all. I admit, it sent me into a small
tailspin--really small, but my tail spun just a
little bit--because again, I knew I had nailed
something, I knew I had absolutely rocked the
audition, but nothing came out of it. Well, I did
get something out of it--another audition.
Basically, I guess I had made an impact on the
casting director, so when she had a role that she
thought I would be go for, she skipped the
pre-read (where I audition for her, she tapes it
and then sends the tape to the producers who then
decide whether or not to bring me in) and brought
me in with her to audition for the producers and
writers in their production office and studio. It
was a tiny role, but the audition went well, and
even though I didn't get the part, at least I did
well, which makes her look good, makes my manager
look good, and everyone's happy. It's been said
that you only need 5-6 casting directors on your
side to get a career going, so hopefully's she's
gonna be part of TeamRomo™.
Other items:
- Matt, Pepe, Jonathan, and Eugene were here for a
few days after their crazy BroTrip™. It was great to see
them all, especially Pepe, who spends his time in
Berlin, so I rarely, if ever, see him.
- Zak, Megan, and Kendra
are up in San Francisco this week and I am really
frustrated that I can't come up to see them. I mean,
I could, but it would probably only be for awhile and
I am planning on getting out to New York in September
or October anyway, so I will check them out then.
- Work is going really well. I am actually spending
part of my time writing scripts for a few projects
that you may see on a computer screen near you; I
will keep you posted. It's quite cool to get a chance
to use my background in acting and writing in my day
life, it's a very nice perk. We have a LOT of stuff I
am working on, which is both exciting and
intimidating. Busy...
Okay, time to go. Happy Day.
waiting/breathing
10:40AM...
I'm posting two entries
this time around because I got wildly distracted from
my last one--it was getting a little too unwieldy and
then by the time I got back to it, life got a lot
more interesting.
I am currently waiting in the waiting room while Whit
recovers in the recovery room. She had her surgery
this morning and it all went great, they removed the
fibroid, which, for something that is entirely
natural, looked really, really unnatural. We got a
picture of it but I guess I won't be able to get it
bronzed...
Anyway, so the hard part is basically over, now we
just let her sleep. I guess she's going to be staying
here for a day or two, which is kind of annoying, but
it's for the best. I am pleased that the procedure
went by so quickly--the surgery was over in basically
2 hours.
Briefly:
1 - MacWorld was actually kind of cool this year,
there was a good amount of enthusiasm. the new
products, while not groundbreaking, are solid
iterations. It's interesting that apple is charging
$20 for iPod touch users but giving the AppleTV
update for free. both are significant improvements,
not sure how they decided on the $20 fee. And I still
hate the 24 hour rental window (you have the rented
movie for 30 days, but only 24 hours from the moment
you press "play"--it is cool that you can move it
from device to device, but wow, itunes...it's
becoming it's own operating system now)
2- had a terrific audition for a pilot which I guess
is not going anywhere. they changed the character
around, so when I went in, I was asked to do
something completely different. It was a great
experience, and I was happy to show the casting
director that I could flip the script on the fly, but
I am a bit sad that I couldn't go further with it. I
really love the show and really loved the character
(or, at least, the one I was working on)...who knows.
But at least the casting director saw me in the first
place. Just need to be brought back.
3 - This week's theme so far is "my friends are
totally awesome". I had a great night in San
Francisco with the boys and then even saw some of the
girls later. It was a really fun night and while I am
always sad to leave my SF crew behind, to come back
to such a wonderfully supportive army of LA friends
has been a very humbling experience. I have been
sending out little email updates regarding Whit's
morning and everyone has been really keen to help
out, etc. And, of course, the NY crew has been more
than into it as well (Ravi, you are more than keeping
it real from the International angle). Again, my
friends are totally awesome.
4 - Last year at time, I was in Japan. Now I'm in a
waiting room in a hospital in Beverly Hills. As I
live, the future becomes less and less of a mystery
and more of a surprise.
more soon.

